Wednesday, October 26, 2016

Audiences - As highly valued as artists!

Be revolutionary: Support artists, writers, craftspeople, and photographers in your actual and virtual neighborhoods this holiday season.

"The Black Spaniard" by L.L.Holt is now available for pre-order with FREE shipping in the USA at:

 http://www.unsolicitedpress.com/store/p103/PREORDER%3A_The_Black_Spaniard_by_L.L._Holt.html 
 
Release date: Nov. 17, 2016. After that date, it also will be available at amazon.com.
 
Set in Austria in the years after the French and American Revolutions, this historical novel follows a wave of triumph, despair, and reconciliation in the life of a young genius. Less than $20 U.S. dollars, perfect for holiday giving. 

Audiences are as important to the arts as the people who write, paint, and perform. Without the support of audiences like you, the arts--the way we learn from and express our culture, ideas, and feelings--will vanish. With the arts, we can become agents for change. Thank you!




Sunday, October 9, 2016

Yuja Wang glistens, but Berlioz Symphonie Fantastique enthralls: Philadelphia Orchestra September 2016



Move over, Lang Lang, there’s a new sensation in the world of classical-music-as-spectacle, and she springs onto the concert stage in a backless, silver-sequinned mini-dress and five-inch stilettos.

I know: my feminist roots scream, “Judge women by their works not their appearance!” But it’s very hard not to embrace Yuja Wang for her engaging persona and killer fashion sense as well as her considerable talent. The crowd roared as she sprang onto the stage, with a friendly smile and infectious glee at joining the Philadelphia Orchestra led by Yannick Nézet-Séguin. 

Questions as to how she would navigate the pedals in those shoes quickly subsided as the orchestral introduction of Chopin’s Piano Concerto #2 in f minor receded and Wang took command of the stage with a warm, sonorous solo that soon morphed into a winning partnership with the orchestra. Yannick interprets this light-weight concerto with power and invests it with his unique ability to shape and mold sound into a tapestry that satisfies both heart and mind. Perhaps it was too majestic a Maestoso for traditional ears, but the emphasis on dramatic dynamics and expressive pacing worked well as the two young artists, both so captivating to watch, created a riveting musical journey throughout the three movements. 

This is early Chopin, a composer who is not known for his mastery of orchestration, but Yannick’s artfully carved sonorities and Wang’s masterful ability to elicit meaning from ornamental ripples and trills did justice to a work that can be weak and ephemeral in lesser hands.
After three curtain calls at the performance I attended, Wang played one of her favorite encores, the Rondo alla Turca by Mozart, in a version that splices the master’s whimsical phrases with jazz improv and bebop. A similar recent performance can be found on YouTube:  https://www.youtube.com/watch?v=4jmpXFXsJdA

Good as the Chopin was, the real star of the evening was Berlioz’s Symphonie Fantastique, a work everyone knows and no one listens to. This is a huge, monster-sized symphony, with the orchestra sprawling across the stage and skidding under the balconies. It’s one of those works, like Stravinsky’s Rite of Spring and Beethoven’s Eroica, that changed symphonic music forever. I honestly don’t know how anyone can conduct this work and survive. Indeed our young, vigorous conductor took a couple of breaks between movements to mop his brow with a handkerchief a la Pavarotti. Imagine nine brass players plus a choir of French horns and more timpani than you can shake a stick at.

Once again, Yannick showed he is a master of sculpting sound into appealing, energizing, and reflective shapes, all leading to a unified, comprehensible whole. But let’s face it: this is one nutty symphony, even grotesque, like an overblown waltz for Tim Burton characters. Certainly, Berlioz claimed the work was inspired by sex, drugs, and the beautiful actress, Harriet Smithson. This is probably one work you can’t rehearse too often, and at the same time, it begs a certain freedom from conventional performance. There were a couple of shrill moments in the first movement, but they fit in with the macabre nature of a five-movement work that ends with death on the scaffold and dreams of a witches’ Sabbath. This is a totally fresh, if sometimes deafening approach to a work probably too expensive to perform often in public, but worthy of every music-lover’s attention, exploration, and rediscovery.

The program opened with the Mongolian National Anthem, a fetching tune with Eastern and Western influences, in honor of the president of Mongolia, Tsakhiagiin Elbegdorj, who attended the performance on Friday afternoon. This was followed by our own Star-spangled Banner, which the audience joined in, filling Verizon Hall with the magic of spontaneous singing and a deeply felt passion for more peace, more unity, and more harmony among all people.

The Philadelphia Orchestra
Yannick Nézet-Séguin - Conductor
Yuja Wang - Piano
Chopin – Piano Concerto #2 in F minor, op. 21
Berlioz – Symphonie Fantastique, op. 14
Verizon Hall, Kimmel Center
8 p.m. September 22, 2 p.m. September 23, and 8 p.m. September 24, 2016

Yuja Wang, file photo.